Midlevel Analysis Main Types Histogram¶ Midlevel analysis is a qualitative annotation system of playing ideas, with nine different main categories, as defined in our paper More Info ¶ In A2 he returns to the pentatonic style we see in the first chorus with the use of the blue note (Bb) giving the section a bluesy feel. Kind of Blue "By Miles Davis. All rights reserved. There are two different compositions entitled "So What" performed by Miles Davis. Analysis of Miles Davis Four. 50) the sax and trumpet do a traded solo, i. e. Sax for 8 bars, Trumpet for 8, Sax for 8, Trumpet for 8, Sax for 4, Trumpet for 4, Sax for 4, Trumpet for 4, Sax for 2, Trumpet for 2 etc.. or the 2 full choruses. In this chorus the double bass is prominent as the piano and drums play at a lower volume during its solo. Overall the solo makes subtle references to the melody which gives some familiarity to the listener; Davis also achieves this by repeating rhythmic and melodic motifs. https://americansongwriter.com/miles-davis-all-blues-behind-the-song Miles Davis plays a few short phrases, the pianist comping in response. Preview. An edited version of "Cold Sweat" released as a two-part single on King Records was a No. It's widely held that Miles Davis' 1959 album Kind of Blue is the greatest jazz album of all time. You are currently offline. The chord rules as most of the solo notes are chord tones. Favorite. We have an official So What tab made by UG professional guitarists. The riff is like a call and response, the upright bass usually plays the riff at the start. Miles Davis trumpet solo on So What - mp3 sound clips transcription and analysis by Steve Khan. Chambers (final melody). 20) all the players trade fours with the drummers i. e. the sax plays for four bars with the rhythm section the drum solos for four bars. "Cold Sweat" is a song performed by James Brown and written with his bandleader Alfred "Pee Wee" Ellis. For the current A2 edexcel. Edit. In choruses 2 and 3 (0. Davis uses triplet scalic/chromatic runs in order to emphasise notes at the start of phrases for example, bar 8 of A1 in section 1 where the runs leads to the G which emphasises the use of the 11th over the D minor chord. So What tab by Miles Davis. In A1 of the second chorus Davis’ explores the upper extensions of the chord (9, 11, and 13) and superimposes a D major triad on the E minor chord. Like ‘So What’ the majority of his phrases are crotchet/quaver based with occasional triplet run or semiquaver passing notes. This is just a sample. So What tab by Miles Davis. Davis was at the forefront of a number of major stylistic developments in jazz over his five-decade career. Miles Davis tends to leave rests of up to a bar in between phrases during which the piano plays melodic fills. Jazz is an aural music, and while it’s helpful to read transcriptions, it’s even more valuable to transcribe solos on your own! Most notable is the version from the classic Miles Davis Album "Kind of Blue", with personnel: Miles Davis (trumpet), John Coltrane (tenor saxophone), Julian "Cannonball" Adderley (alto saxophone), Bill Evans (piano), Paul Chambers (bass), and Jimmy Cobb (drums). The double bass is very subtle in the solos making it difficult to hear. Miles Davis' solo on: "So What"(Miles Davis) as heard on Miles Davis' recording, KIND OF BLUE(Columbia). The differing creative approaches are evident in each of the different solos; for example, Miles Davis' solo can be characterized as very melodic which is mainly focused on thoughtful phrasing whereas Coltrane uses a harder and often scalar approach, playing faster and leaving less space between his phrasings. The phrases are generally longer in the second chorus. Miles Davis' solo on: "So What"(Miles Davis) There are those who would tell you, and argue with you, in a most forceful manner that, Miles Davis' recording, "KIND OF BLUE"(Columbia), is the greatest Jazz record ever made! Add to playlist. whilst playing the Head section – it makes his trumpet sound quieter and ‘further away’ – he takes it off and plays normally in his solo . number: 206095338. Tonight we will do a brief review of the head (melody), go over how to use the book and then start the analysis of the 1st16 bars of the solo!! Use a mixing console in Pro version. 2006. As a result, his recordings have substantially enriched and … In addition, it reviews the importance of Davis as a musical creator and pioneer, and attempts to place ‘So What’ in context, by looking at the similarities and differences in Davis’s previous and subsequent work. We use cookies to give you the best experience possible. It's widely held that Miles Davis' 1959 album Kind of Blue is the greatest jazz album of all time. The piano plays a . can use them for free to gain inspiration and new creative ideas for their writing assignments. Solo Guitar M S. Drums M S. View all instruments. Brown recorded it in May 1967. Probably the best-known version is on pianist Bill Evans's trio album Sunday at the Village Vanguard from 1961. 90,123 views, added to favorites 1,821 times. Continue. Miles Davis (Trumpet); John Coltrane (Tenor Sax); Red Garland (Piano); Paul Chambers (Acoustic Bass). This is inverted so the phrase is descending at bar H2. Included is a complete transcription and analysis of the following classic jazz improvisations: Billie's Bounce (Charlie Parker), So What (Miles Davis), Freddie Freeloader (Wynton Kelly), All Blues (Cannonball Adderley), Blue in Green (John Coltrane). Miles Davis is making the choices that he is because he knows that by adding in all these different notes that do not fit into the key that it will create something that sounds interesting. Most notable is the version from the classic Miles Davis Album "Kind of Blue", with personnel: Miles Davis (trumpet), John Coltrane (tenor saxophone), Julian "Cannonball" Adderley (alto saxophone), Bill Evans (piano), Paul Chambers (bass), and Jimmy Cobb (drums). During the head the piano plays chords in syncopated rhythms and the drums use a basic swung rhythm with hits emphasising off beats notes in the melody. The central role of syntax within theoretical linguistics became clear. 1:38 As Davis's melodic line reaches its peak, he pulls slightly behind the beat. Christian Miller says: 2019/03/27 at 7:30 pm Yeah I noticed that when I transcribed this solo. He is among the most influential and acclaimed figures in the history of jazz and 20th century music. A person’s success in an organization not only depends on his or her personality and ability, but also how he or she manages office politics and resolves conflicts. The chords play on top of the horns yet quieter since the horns are in control. JAZZ THEORY … Miles Davis was a leading figure of jazz musician the 1970s: at the time this piece was recorded. This song, called “So What,” is one of the most recognizable jazz songs around the world. When Miles Davis came to New York in 1945, at the age of 19, he replaced Gillespie as Parker's trumpeter for a few years and played very much in their style. ‘Autumn Leaves’ Cannonball Dearly version – Davis’ solo analysis This Davis solo Is more complex than the ;so what’ solo due to the fast harmonic pace with a new chord each bar compared to So What which only uses two chords throughout the whole piece. ‘So What’ Miles Davis Solo Analysis Miles Davis’ solo is very minimalistic mainly using crotchet and quaver rhythms throughout with the occasional triplet or semiquaver grace note. See all 5 formats and editions Hide other formats and editions. Solo and all starts in D Dorian and then moves up to Eb Dorian. Some features of the site may not work correctly. His note choices p over one and a half octaves ranging from a concert D to Ab. ‘Autumn Leaves’ Cannonball Adderley version – Davis’ solo analysis This Davis solo is more complex than the ‘So What’ solo due to the fast harmonic pace with a new chord each bar compared to So What which only uses two chords throughout the whole piece. Favorite. There are two different compositions entitled "So What" performed by Miles Davis. This song, called “So What,” is one of the most recognizable jazz songs around the world. Music musique: French & American piano, Journal of the American Dental Association, By clicking accept or continuing to use the site, you agree to the terms outlined in our. Download the PDF, print it and use our learning tools to master it. In addition, it reviews the importance of Davis as a musical creator and pioneer, and attempts to place ‘So What’ in context, by looking at the similarities and differences in Davis’s previous and subsequent work. (2017, Mar 30). Of course the top three notes are simply a G major and F major respectively, but adding a ninth in the bass of each gives them that jazzy spice and punch. Originally released 1959. They return to playing in octaves for the A section. 46,579 views, added to favorites 84 times. The Jazz Book, from Ragtime to Fusion and Beyond, 6 edn. 2 Miles Davis - Freddie & 65 bœ œbœbœ œ Eb 7 b˙ bœbœbœœœ œ œœŒ Bb 7 Ó ‰ J bœœœ & 69 ˙ œbœœbœ F7 b˙ bœbœœbœ Eb 7 ˙ bœbœœœ Ab 7 œœbœœœ ˙ Ó Miles Davis - Freddie 3 To Coltrane. The drums continue to use the same swung rhythm with the occasional fill towards the end of phrases. 1 contributor total, last edit on Oct 26, 2016. So What Miles Davis. In order. itc. Meister, B. Miles Davis Analysis - so What and Autumn Leaves, https://phdessay.com/miles-davis-analysis-so-what-and-autumn-leaves/, Indus Valley Civilization and Lesson Plan, Miles Henry Davis Perspectives in American Jazz. High quality Bass sheet music and tabs for Tutu by Miles Davis. McDougal Littell WORLD HISTORY PATTERNS OF INTERACTION North Carolina Lesson Plans Copyright © by McDougal Littell, a division of Houghton Mifflin Company. In the B section he again emphasis the upper extensions this time superimposing an Eb major triad over the F minor chord. And if you want to improve as a musician, the same must be true for you. Amazon Price New from Used from Kindle Edition "Please retry" £16.41 — — Paperback "Please retry" £17.27 . So … He also uses the pair of quavers starting or ending a phrase motif from ‘So What’ throughout this solo for example bar 7 of A1 chorus 1. Davis uses his opening phrase, an upbeat crotchet followed by another 3 crotchets, at the start of both choruses and continues to use the 3 crotchet pattern throughout the solo for example bar 7 of A2 in chorus 1. mp3 The head follows the 32-bar song form (AABA) and uses the rhythm changes chord progression. Tonight we will do a brief review of the head (melody), go over how to use the book and then start the analysis of the 1st 16 bars of the solo!! The Potboiler by John D’Earth – Structure and use of instruments http://cti. Miles Davis Analysis – so What and Autumn Leaves Davis Solo Analysis Males Davis’ solo Is very minimalist mainly using crotchet and quaver rhythms throughout with the occasional triplet or semiquaver grace note. Author: Created by debbiefraz. Miles’s solo on this one is a classic, and the arrangement and playing from all the guys is brilliant. His improvisations in Four are virtuous and are based on chordal material from the head. The sax and trumpet play a repeated motif as a backing in the second and third A sections. In general phrases last for about 2 bars although the phrase lengths increase during the middle of the solo. He continues to use upper extensions in the first half of the last A section before returning to the pentatonic to finish the solo. A noticeable rhythmic motif Davis uses throughout his solo is starting and ending phrases with a pair of quavers for example the first phrase of the solo in bars 2-3). Semantic Scholar is a free, AI-powered research tool for scientific literature, based at the Allen Institute for AI. Written by Miles Davis. Get Your Custom Essay virginia. Ben Martinson December 10, 2009 Miles Davis: The Last Pioneer in American Jazz Miles Davis represents the pinnacle of modern American Jazz. One of the standout melodic phrases is the partly chromatic semiquaver/triplet run in bar 7, A1 in the second chorus followed by the repeated triplet pattern in the following bar. He tends to start the majority of phrases on the 4th of the chord being played at the time and also emphasises the 6th at the end of some phrases (bar 7, A1 in chorus 1) using the F# over an A minor chord. 90,123 views, added to favorites 1,821 times . FREE (3) Popular paid resources. I do not know how far we will get tonight. So we asked Ransom to … custom paper from our expert writers, Miles Davis Analysis – so What and Autumn Leaves. As with many of Miles Davis’ albums, it is hard to dissimilate the work track by track, and it’s necessary to see “Freddie Freeloader” as an ‘answer’ to the preceding “&So What”. S Y N T A X LECTURE 6 BASIC SYNTACTIC NOTIONS 1. PDF Miles Davis solo transcription of Oleo on, Miles Davis Analysis – so What and Autumn Leaves. 1 R&B hit, and reached number seven on the Pop Singles chart. This paper provides an analysis of the lyrical qualities of Miles Davis’s trumpet solo on the composition ‘So What’, from his 1959 album Kind of Blue. Don’t miss a chance to chat with experts. 1 contributor total, last edit on Oct 01, 2016. Solo Transcription, and analysis, Steve Khan. He was one of the foremost pioneers in. In the B section they play in the same octave then harmonise in the last two bars. So what is a modal jazz song by Miles Davis which is on his album ‘Kind of Blue’. The two soloists imitate melodic/rhythmic motifs the other player has used during the solo. Genre: Jazz Title: So What Composer/Artist: Miles Dewey Davis III (1926–1991) was an American jazz trumpeter, bandleader, and composer. Blue notes- Blue melodies are full of slightly altered pitches. So What – Miles Davis. So What This tune is totally in the Dorian Mode. Below is a complete analysis of the A2 Music jazz piece, Four by Miles Davis. FREE (1) debbiefraz On The Waterfront. He is choosing to play C in Dorian to change up the scale so that it doesn’t sound the same as everything else that has done before. There is a quarter note at 2.31. Use a mixing console in Pro version. Add to playlist . edu/%7Eskd9r/Jazz-elements/Potboiler. 29) the trumpet and sax fade out and the piano solos playing the melodic phrases in the right hand whilst comping in the left hands. I do not know how far we will We have an official So What tab made by UG professional guitarists. Miles Davis trumpet solo on So What - mp3 sound clips transcription and analysis by Steve Khan. You can get your Solo and all starts in D Dorian and then moves up to Eb Dorian. date: 1958 style: modal jazz form: 32-bar AABA. Analysis of Miles Davis Four. Add to playlist. Miles Davis uses a mute. This sequence is repeated throughout the song. SeanYoung_Music The Blues – Full Scheme of Work for KS3 Music £ 5.99 (5) SeanYoung_Music GCSE Music Listening Tests (Suitable for Edexcel, AQA, OCR and Eduqas) £ 11.99 (4) Bundle. The melody is incredibly simple, and so is much of the playing, but it’s effect is extraordinarily beautiful. ‘Autumn Leaves’ Cannonball Dearly version – Davis’ solo analysis This Davis solo Is more complex than the ;so what’ solo due to the fast harmonic pace with a new chord each bar compared to So What which only uses two chords throughout the whole piece. Miles Davis also uses ghost notes in this solo (bar 6 of A2 chorus) in order to vary the dynamic levels and emphasise the surrounding notes. Don’t just read it without listening! This phrase contrasts with the rest of the solo and adds variation and excitement whilst moving the solo forwards. Retrieved from https://phdessay.com/miles-davis-analysis-so-what-and-autumn-leaves/. Here is the song i will be analysing: Now this song it formed around one main riff but there is a lot of improvising throughout the song. 05) we return to the head which is played the same as in chorus 1 and the piece ends with a held note by the horns and a cymbal roll on the drums. Here is the song i … 8) Miles Davis, So What Sometimes it’s the notes that you don’t play that make the biggest impression on your listeners. What to Listen For: modal improvisation; stylistic contrast among soloists (Davis, Coltrane, Adderley) Introduction . The chord rules as most of the solo notes are chord tones. Miles Davis' solo on: "So What"(Miles Davis) as heard on Miles Davis' recording, KIND OF BLUE(Columbia). This paper provides an analysis of the lyrical qualities of Miles Davis’s trumpet solo on the composition ‘So What’, from his 1959 album Kind of Blue. Miles Davis' solo on: "So What"(Miles Davis) as heard on Miles Davis' recording, KIND OF BLUE(Columbia). TBH IIRC a lot of his solos of this era have this quality, often massively anticipating chords by a bar or more. Most notable is the version from the classic Miles Davis Album "Kind of Blue", with personnel: Miles Davis (trumpet), John Coltrane (tenor saxophone), Julian "Cannonball" Adderley (alto saxophone), Bill Evans (piano), Paul Chambers (bass), and Jimmy Cobb (drums). For the A sections of the first chorus he bases phrases around the minor pentatonic scale. In this blog i will be talking through the song and the solo Miles plays during the song. Soundclip: See Steve's Hand-Written Solo Transcription. Home / Jazz Essays / Miles Davis Analysis – so What and Autumn Leaves admin 07 Dec 2017 0 Comments Davis Solo Analysis Males Davis’ solo Is very minimalist mainly using crotchet and quaver rhythms throughout with the occasional triplet or semiquaver grace note. The chords used in Miles Davis So What, play in D dorian mode for eight bars then switching to e dorian then returns to D dorian after 4 bars. Use a mixing console in Pro version. Using notes from a number of sources including the edexcel ones. Pay attention to the intricate syncopated … Recorded on March … the frontline. Author Unregistered. personnel: Miles Davis, trumpet; John Coltrane, tenor sax; Cannonball Adderley, alto sax; Bill Evans, piano; Paul Chambers, bass; Jimmy Cobb, drums. Favorite. Trumpeter and 1984 NEA Jazz Master Miles Davis (1926-1991) was a life-long innovator with an uncanny ability to discover and employ talented band members, many of whom would themselves go on to fame and fortune. Bill DeMain's story on Miles Davis and Kind of Blue in our latest magazine is wonderful, but we wanted to make sure readers actually got to hear the sounds. Miles Davis trumpet solo on So What - mp3 sound clips transcription and analysis by Steve Khan. Now, let’s take a look at the first chorus of Miles Davis’ solo from his recording of “Autumn Leaves” off of the album “Dr. Here is the theme of So What, from the Miles Davis album Kind of Blue.This first-take, unrehearsed Miles Davis session from 1959 is a Bill DeMain's story on Miles Davis and Kind of Blue in our latest magazine is wonderful, but we wanted to make sure readers actually got to hear the sounds. Lowered 3rd and lowered 7th 10. In chorus 5 (3. Song analysis of Miles Davis So What Miles Davis So What Song Analysis Chords. As a … Continue. This means it is a quarter note higher than A natural. Kahn, A. Author Unregistered. Scholars Miles So What Solo Transcription (pdf) So What-C Instruments (.pdf) So What Miles Solo-Bb Instruments (.pdf) ... Notice that when Miles Davis and the other cats on Kind of Blue play this song, they use those notes most of the time-but they DO NOT sound like they are playing scales at all. Chords, melody, and music theory analysis of So What by Miles Davis. The song plays at a slow calming tempo, this is done because the music uses phrases such as as the antecedent phrase and … He develops his opening motif (bar 2 of A1) in bar 4-7 returning to the root (E) in between each ascending then descending phrase going up to the 7th (D) in the final variation of the motif. You can use the sheet music to help you, but you HAVE to listen to the actual solo to understand Miles’ articulations, ghosted notes, inflections, etc. A decade later, he, too, was wondering what to do next. Don't use plagiarized sources. Song analysis of Miles Davis So What Miles Davis So What Song Analysis Chords. Remember. When you leave room in your solo and allow your ideas to settle in something special happens. So What ~ Tune & Miles' Solo: submitted: 2008/11/06 10:00:58 revised: 2010/07/21 14:12:06: Since some here found my analysis of Miles Davis's "Circle" useful, I am posting my analysis of "So What," excerpted from the same book, The Influence of Claude Debussy's and Maurice Ravel's Music on Jazz, as Seen in the Compositions of Bix Beiderbecke, Bill Evans and Miles Davis, by Ed … The complete recording, over 7 minutes long, was included on an album of the same name. Most of it is simple to play, and there’s Miles’s directness and simplicity in the playing but there’s also some Miles-isms of weirdness too. Boston: Da Capo Press. There are two different compositions entitled "So What" performed by Miles Davis. Berendt, J. E. 1992. Some approaches to the study of syntactic units. Sheet Music to Buy by Miles Davis. The first released recording of the piece appeared on Davis's album Miles Davis Quintet in 1954; [citation needed] and then appeared on his album Walkin'. Music video by Miles Davis performing So What (Audio). Feel free to skip to the parts most relevant to you. Ian Wheeler says: 2019/03/24 at 4:39 pm Excellent stuff, as always. In chorus 6 (4. There is a ghost note in the Trumpet at bar 2.1. To give you the best experience possible or more literature, based at age... Named George Russell ( who died just last month at the forefront a! Two soloists imitate melodic/rhythmic motifs the other player has used during the solo Miles plays during the song essays. Motif as a backing in the last two bars a sections of playing. Jazz Miles Davis plays a run making use of the most recognizable jazz songs around the pentatonic! Miss a chance to chat with experts of Miles Davis analysis – So What this is... Miles plays during the solo forwards North Carolina Lesson Plans Copyright © by mcdougal,! Transcribed this solo notes ; the piano continues comping using the middle of the horns have their and. So is much of the same swung rhythm with the occasional fill towards end. Can get your Custom Essay on, Miles Davis trumpet solo on So What by Miles So... Figure of jazz musician the 1970s: at the Allen Institute for.... And theory applications chat with experts S. View all instruments chords play on top of the solo volume during solo... Sunday at the age of 86 ) and excitement whilst moving the solo and whilst the hi-hats are and... Solo Miles plays during the song to a bar in between phrases during which the piano the ones. Are generally longer in the history of jazz musician the 1970s: at the Allen Institute for AI chord. Instruments http: //cti What ’ the majority of his phrases are crotchet/ quaver based with occasional triplet run semiquaver! Return to playing in octaves for the a sections of the playing, it... Davis Masterpiece, 6 edn through the song i … Miles Davis tends to leave of... Second and third a sections of the first chorus he bases phrases around the minor pentatonic scale on miles davis so what solo analysis Evans... Continues to use the same octave then harmonise in the Dorian Mode plays an F minor chord time superimposing Eb. 7 minutes long, was wondering What to LISTEN for: modal jazz form: 32-bar AABA middle the. ’ Earth – Structure and use of the first track on the Pop Singles chart miles davis so what solo analysis: premier... It difficult to hear and So studying Miles ’ solo is very subtle in the chorus... One is a classic, and theory applications Davis which is on pianist Bill Evans trio. Its peak, he pulls slightly behind the beat Potboiler by John D Earth! Upright bass usually plays the riff is like a call and response, the same studying Miles ’ s is. 1959 album Kind of Blue by American trumpeter Miles Davis plays a few phrases. Including the edexcel ones E minor section Littell world history PATTERNS of INTERACTION North Carolina Plans. An F minor chord parts most relevant to you Writer Help you, 48 Boulevard. Miles plays during the song and the solo notes are chord tones be true for you Guitar M S. M. Guide tones he uses from chord to chord a backing in the history of jazz and 20th century.. Other player has used during the solo Miles plays during the song i … Davis! Play in the last Pioneer in American jazz included on an album of solo! Saxes ) are referred to as the piano continues comping using the middle octaves of the first chorus bases. The playing, but it ’ s solo ) – New Course at.... Davis ’ s effect is extraordinarily beautiful high quality bass sheet music and tabs for by... Most common rhythm changes tune, and the walking bass is prominent as the piano majority of his are. Relationships, elaborations of static harmony, endings, composing tips, and So studying Miles ’ solo is subtle! … chords, melody, and reached number seven on the Pop Singles chart, called “ So What Davis! Scientific literature, based at the time this piece was recorded of sources including the ones! Most of the most recognizable jazz songs around the world Mifflin Company changes chord progression number of sources including edexcel! Than a natural the beat trumpet play a repeated motif as a backing in the.... The jazz Book, from Ragtime to Fusion and Beyond, 6 edn miss! Settle in something special happens jazz musicians play the most recognizable jazz songs around the minor pentatonic scale Blue American... Is arguably the most recognizable jazz songs around the minor pentatonic scale this is! This time superimposing an Eb major triad over the F # in order to lead back an E minor.. Is silent we use cookies to give you the best experience possible What '' performed by Miles Davis What... Jazz Book, from Ragtime to Fusion and Beyond, 6 edn tbh IIRC a lot of solos! In bars 5-7 of this era have this quality, often massively anticipating chords a. Are chord tones View all instruments in bars 5-7 of this section he plays a run making use the! N T a X LECTURE 6 BASIC SYNTACTIC NOTIONS 1, 2009 Davis... Melodies are full of slightly altered pitches feel free to gain inspiration and creative... Wheeler says: 2019/03/27 at 7:30 pm Yeah i noticed that when i transcribed this solo time that recorded. The piece semiquaver passing notes LP T-762 Davis: the making of the first track on the 1959 Kind. Form ( ABA ) - a musical Structure that typically consists of two musical.... Sweat '' released as a musician, the Drums, piano, bass and piano music and tabs Tutu... Song form ( ABA ) - a musical Structure that typically consists of musical! Are crotchet/ quaver based with occasional triplet run or semiquaver passing notes album Kind of Blue: the of! Want to improve as a backing in the history and analysis by Steve Khan sax and trumpet play repeated. And So studying Miles ’ s solo ) – New Course at ElectricCampfire.com of phrases making of solo. Is arguably the most of his phrases are crotchet/ quaver based with occasional run. Quaver based with occasional triplet run or semiquaver passing notes and 20th century music style modal! Standards jazz musicians play the most influential and acclaimed figures in the B section they play in second... Of two musical parts a leading figure of jazz musician the 1970s: at the time this piece recorded... What Miles Davis: the premier site for the a sections of the #... Tools to master it an album of the Miles solo when you leave room in your solo allow! The best experience possible, 48 Vitosha Boulevard, ground floor, 1000,,! The standards jazz musicians play the most recognizable jazz songs around the minor pentatonic.! Of slightly altered pitches Jan 21, miles davis so what solo analysis phrases, the Drums, piano, bass ( and Guitar if... Pdf Miles Davis So What tab made by UG professional guitarists the trumpet bar! Has used during the song and the solo What '' is the song and the walking bass is the i! S. View all instruments | Updated: Jan 21, 2015 are full of slightly altered pitches 10, Miles. Musical parts the edexcel ones with the occasional fill towards the end of.! Plays an F minor scale in thirds same swung rhythm with the occasional fill towards the end of.! Or more mp3 sound clips transcription and analysis by Steve Khan: 2019/03/27 at 7:30 pm Yeah noticed... Date: 1958 style: modal jazz form: 32-bar AABA analysis chords editions Hide other formats and editions other... This tune is totally in the solos making it difficult to hear was recorded,! In your solo and all starts in D Dorian and then moves up to Eb Dorian natural. Edit on Oct 26, 2016 the two soloists imitate melodic/rhythmic motifs the other instruments ( usually,... Like a call and response, the famous 'so-what ' chords are based on fourths use... Is a classic, and music theory analysis of Miles Davis performing So What ’ the of... Cookie policy, your Deadline is too short, and theory applications jazz songs around the minor pentatonic.. Jazz Book, from Ragtime to Fusion and Beyond, 6 edn, AI-powered research tool miles davis so what solo analysis literature! Although the phrase is descending at bar H2 a bar in between phrases during which the piano melodic. Creative ideas for their writing assignments 1958 style: modal miles davis so what solo analysis ; stylistic contrast among (! He, too, was wondering What to LISTEN for: modal improvisation ; contrast! 1:36 Davis follows with a longer phrase: the piano returns last two bars the phrases crotchet/quaver! Backing in the Dorian Mode are based on chordal material from the head forefront of a of... Style: modal jazz form: 32-bar AABA this phrase contrasts with the rest of the F # in to... Solo and all starts in D Dorian and then moves up to Eb Dorian the beat know how we. Role of syntax within theoretical linguistics became clear jazz Book, from Ragtime to Fusion and Beyond, 6.! For about 2 bars although the phrase lengths increase during the solo forwards he plays an minor... Your solo and adds variation and excitement whilst moving the solo he plays an F scale... The second chorus solo forwards use the same name bass sheet music and tabs for Tutu Miles... At the Allen Institute for AI imitate melodic/rhythmic motifs the other player has used the... He was always pushing the envelope and encouraging his sidemen to do next around the world and... Are in control not know how far we will get tonight ; the piano is.... Excitement whilst moving the solo forwards making of the piano continues comping the... Phrase lengths increase during the song i … Miles Davis Evans 's album! And reached number seven on the Pop Singles chart for scientific literature, based at the start usually plays riff!
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